An organic brass form wraps itself around a single synthetic aquamarine, as though the metal were protecting or slowly consuming it. The stone occupies the centre of the composition, held within an irregular structure that follows its own logic.
On either side, the numbers I and II appear once more, suggesting a familiar duality. Yet here, only one stone remains. Could the moon, traditionally associated with the feminine, offer another interpretation? Or does its presence point towards something less obvious?
