'Céline et Yannick 'questions the value we assign to objects, and the uncertain distance between an encounter and the meaning that follows. Some objects seem to have reached the end of their existence. Abandoned, forgotten, stripped of their former significance, they remain as fragments of a world that no longer recognises them. Found in the streets, recovered from flea markets or rescued from obscurity, these remnants become the starting point of a private mythology. Their former lives remain unknown, their original meanings obscured. Yet something persists. Through a process of transformation, they enter a different order. Reconfigured as rings, they become fragments of an unfinished system.

A constellation of signs drawn from symbolic traditions, celestial observation, personal memory and the language of objects. Each piece suggests a possible connection, a hidden correspondence between things that appear unrelated. Unlike objects produced in thousands by large brands, each ring exists as a unique piece. Its value does not come from repetition, scale or conventional rarity, but from the transformation it undergoes. 

A discarded object, once overlooked and seemingly without worth, is reimagined as a singular luxury object. 

Its uniqueness is not added afterwards; it is embedded in the act of finding, shaping and giving it a new life. Perhaps value is not lost, but displaced. Perhaps an object becomes invisible long before it disappears. Within this mythology, the discarded is not merely recovered. It is subjected to another transformation, where the boundaries between precious and worthless, relic and ornament, ruin and creation begin to dissolve. The rings remain as evidence of this passage. Each one is a unique fragment of a larger construction, pointing towards a meaning that never fully reveals itself.